Chamber with Electronics

…and the higher leaves of the trees seemed to shimmer in the last of the sunlight’s lingering touch of them… (2022)
15’00
flute, baritone saxophone, percussion, piano, tactile transducers on prepared drums, and electronics
commissioned by UltraViolet, with support of the Canada Council for the Arts, and the Edmonton Arts Council

even if nothing but shapes and light reflected in the glass (2022)
15’00
alto flute, baritone saxophone, tactile transducers on prepared drums, and electronics
commissioned by Chenoa Anderson and Allison Balcetis, with support of the Canada Council for the Arts

standing in the last lighted room (2022)
13’00
accordion, and electronics
commissioned by Joseph Petric, with support of the Canada Council for the Arts

Hazel (2015)
13’00
clarinet, violin, cello, piano, percussion, harmonium and interactive electronics
commissioned by Thin Edge New Music Collective, with support of the Ontario Arts Council

On faith, work, leisure & sleep (2011-2012)
i. Fifth View of Bell Island (2011); ii. Breaker (2012); iii. View from the Train (2012); iv. Claimed (2011); v.  Wonder (2012); vi.  Longing (2011)
60’00
piano, text, electronics, and video
commissioned by Luciane Cardassi, with support of the Canada Council for the Arts

I could see the penguins’ home from the highway (2011)
11’00
tenor recorder, with live processing, and 8-channel playback
commissioned by Terri Hron, Bird on a Wire II:  Flocking Patterns

Metropolis (2010)
10’00
piano, 2-channel playback, text, and video
commissioned by Luciane Cardassi

Homesick Curiosity (2010)
14’00
piano, and 2-channel playback
commissioned by Luciane Cardassi